婚后没多(🙇)久，义彦便露出了自己的(de )真实(📕)面目，控制欲极强的他天天虐待和禁锢着美轮，令后者苦不堪言。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。

第一集中，少女克莉斯(sī )蒂（Ashley Laurence 饰）的家庭遭受魔鬼赛诺贝斯的摧残，亲人相继(jì(📤) )死亡，她本人也被(bèi )送入精神(📜)病院治疗。

为了微薄的希(xī )望(😂)，他们穿越丧尸(shī )群集的恐怖(🤡)地带，本以为找到了一个安全(🕷)的避风港，浑然不觉更大的危(🔰)机已潜伏在了身边。

是夜，渡假(🔊)村(cūn )阴弥漫着怪异气氛，原来是小尸父母陆天明及其妻小(xiǎo )珍回来昔日家园搜寻爱儿下落，却发现爱儿的尸身不(bú )在其墓穴中，天勃然大怒，开始寻找所(👨)属气味之人下(xià )落，并逐步威(🚓)吓众(zhòng )人。

然而随着年龄的增(💶)长，兄弟两人渐渐走向了两条(🐆)(tiáo )完全相反的道路。