母(🕰)女二人在自身幸福、亲情羁绊、家(📦)族颜面以及传统规范之间心(xīn )力交瘁……　　导演的(🛴)首(shǒu )部剧情长片，以少女渴望摆脱传(🚦)统(🍠)束缚的角度，深究贝都因部落的父权(🎞)社会与现代社会的冲突，刻画动人的母女之情(qíng )。

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。

在战火中，赫斯(✴)上校尽量保护和照顾这些孤儿。

三年在(❕)外，突然归来的刘守闯带回了下个月结婚的(de )消息，难得相(xiàng )聚的一顿晚(wǎn )饭，却不料将刘士堺(🐇)与儿子刘卫国深埋心底多年的矛盾(🐍)却(💤)也爆发出来。

An American group of exchange students come to Paris to study the language and culture for a year. The film depicts the various interactions between the students and the instructors, including the pretty female director of the institute where they are enrolled.。

她在历经艰险后终于到(💎)了丈夫的北极大本营(yíng )，并试图在(zài )营地过冬。

在(zài )十年动乱中，他们带着浩劫创伤，漂流在萧(💣)水上。

罗贝托兄弟则与玛丽的意见恰恰(🦈)相左，但阴差阳错之间罗贝托与(yǔ )玛丽亚竟然陷(xiàn )入爱河。

在(zài )张帅十八岁生(shēng )日之际，一封(🈚)神秘的信件揭开了尘封的谜底……。