1908年格陵兰岛，一位叫(jiào )约瑟芬的无畏女子，为了追寻他丈夫——著名北极探险家罗伯特•佩里的足迹，踏(tà )上了惊险的北极之(🎠)旅。

浩瀚广大(💸)的沙漠(🐤)，几乎无人(ré(🥦)n )可生存(🔋)，而水源是唯(❓)一上帝所赋(fù )予的(🌧)最大(dà )财富。

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。

阿瑟和弗朗茨便策划着要入屋行窃，后来奥迪尔想要退缩，然而阿瑟他们坚持要行动，并计划好了具体(tǐ )时间。

Fact-based story about a 1975 cover-up of a shooting by two white members of the Boston Tactical Unit. While on stakeout on a suspected getaway car used in a armed robbery, the two gunned down a black man who entered the car. The two claimed the man had a gun and they shot in self-defense. Police investigation decided it was a rightful shooting. The man"s widow knew her husband...。

此外，约瑟芬还得学会适应另一(yī )种文化以及在冰天雪地里过活的生存技巧(qiǎo )。

该片是(shì(👾) )由东野(😟)圭吾为了纪(😋)念出道(🐌)30周年而(ér )创(🙈)作的同(tóng )名小说改(Ⓜ)编而成，讲述了爱女瑞穗因为意(yì )外成为意识不清的病危之体，播磨薰子与播磨和昌夫妻俩面临难以抉择的局面的故事。