Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.。

这(zhè )使得他随后的影(🏺)片也是他唯一一部标准长(zhǎ(🐒)ng )片——1962年的《暴风雨之星》让人有点失(shī )望。

穿上盔甲(🍵)托尼大闹恐怖分子的基地，回(🔊)到美国后又对其进行了改进。

他只好(hǎo )将故事登报，并随即受到了外星人的追杀(🎐)(shā )。

对于这个始终长不大的孩(⛳)子来说，他将面临人生中最重要的一次考验……。

这(🏰)(zhè )部影片对库布里克《2001太空漫(🎧)游》（2001：A Space Odyssey，1969）中对失重状态、灼(👸)热的星球和旋转式的(de )太空站模型的在现实主义描(🤯)写有着重要影(yǐng )响。

中土最后(📢)一座矮人王国埃尔波尔，巍峨壮丽，庄严雄伟。