由于(yú )叛徒的出卖(mài )，他们从跳伞降落的第一刻起， 就已置身于敌人布下的罗网之中。

素(👔)芳无意中救(🌓)出被当地军(🚪)阀追杀的青(🤼)年陈学明，将(🏉)他藏身在戏(➡)班里，学明的(🛠)父母被杀，他一心报仇，郑敬山劝学明参加革命党。

The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.　　The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,　　the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.　　Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.。

而让(ràng )只是顺从着(zhe )他的命运和(hé )他失败的婚(hūn )姻，因为当时的新教压力包围着他们，使他们接受情感的宿命。

南山不明真相，救母(🚆)心切，疯狂追(😦)逐沈悠然，而(🍹)沈悠然的那(🐩)些证据居然(👭)被一个疯子(🍢)给抢走了。

自幼父母双亡的素芳跟着戏班走南闯北，戏班老板郑敬山的真实身(shēn )份是革命党(dǎng )人，他可怜(lián )素芳的身世(shì )，对她照料(liào )有加。