阿巴贡一直在(🔎)追求一个名叫玛丽安娜(nà )（Madeleine Barbulée 饰）(☝)的年轻姑娘(niáng )，没想到玛丽安娜却和克莱昂特两情(🤴)相悦，两人在花园里幽会的时候被阿(🔱)巴贡逮了个正(zhèng )着，这让阿巴贡十分气恼。

李东洋则是看上(shàng )去文质彬彬，有时一本正经(🎫)有时贱气逼人，他梦想成为一名作家(🚀)，不过他现在什么也不(bú )是。

已拿到绿卡的发小金天(🔊)（白客 饰）突发奇想，企图在签证官(🎱)(guān )华生（鲁伯特·格雷夫斯 饰）面前蒙混过关(guā(🖖)n )，而古大白也与新搬来的邻居赫敏（(🏄)张榕容(róng ) 饰）之间擦出恋爱的火花(🥑)。

戏班女工小珍大(dà )意将压衣箱之喜神翻转，惹来一(🛬)场大祸！首(shǒu )先，小珍被杀，而当地谭司(🤣)令官垂廷花旦玉(yù )容美色，花与师兄白玉楼相好，班(🚏)主与戏班中人为谭收买，合谋(móu )杀死(🐙)白玉楼，更诬陷白是奸杀小珍之凶手。

为了给至今未开羊荤的小灰灰打打牙祭，灰(huī )太狼(💉)再次踏上了前往羊村的征程。

搬家后(🎄)，雏子找到了一份兼职工作，清治却每天无所(suǒ )事事(📓)到处闲逛。

每一年，这三个出色的演唱(🎨)(chàng )者都会通过他们的三重唱向社会募集资金，用以(🍒)维持养老院的运(yùn )作。

阿洪是澳门一(💫)酒店待者，某日在酒店内(nèi )一水警高官及一名流太太被谋杀，阿洪目击(jī )凶手面目，更将(🤮)他擒获，惜洪的老阿才，竟(jìng )误将凶手(🤲)放走，更被他愚弄一番。

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment。