The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。

之后，一位亲王(wáng )爱上了妮(👘)妮，打算给夜总会投资，可眼(💌)红的劳拉却破坏了这桩生(😶)意(yì )。

马提亚斯·修奈尔茨饰演的德国军官住(zhù )进了法国乡下的一户人家(jiā )，与米歇尔·威廉姆斯饰演的女(💳)主人产生(shēng )了感情，然而两(🐅)(liǎng )人的爱情却遭受战争和(🐪)家人的阻隔、反对。

此外，约瑟芬还得学会适应另一种文化以及在冰(bīng )天雪地里过(🔙)活的生存技巧。

李堂（元彪(✏) 饰）不过只是区区一介灰(🤣)头(tóu )土脸的乡下小子，却意外的在街头给了意(yì )气风发的球王阿金（狄威(wēi ) 饰）一个下马威，并因此结识了(🎀)善良的少(shǎo )女亚凤（李赛(👉)凤 饰）。

Michael Powell teamed with actor James Mason (who also co-produced) to make a film loosely based on the life of controversial Australian artist Norman Lindsay. Age Of Consent stars Mason as a jaded painter who heads Down Under looking for a way to revitalize his creative soul. His self-imposed exile is interrupted by Cora, an uninhibited young woman on her own journey of self-discovery. The Age of Consent (1969), is Powell's final film, centers on James Mason as a disenchanted painter who finds a new muse in a tropical island model (a radiant and sensual, often nude Helen Mirren, in her first movie role).。

来自马德里的警探(🎪)帕德罗（劳尔·阿雷瓦(wǎ )罗 Raúl Arévalo 饰）和搭档胡安（哈维尔·古铁雷(léi )斯 Javier Gutiérrez 饰）(✌)奉命来调查此事(shì )。

改秀上(⛱)木排后，胆小怕事的赵良担(🤒)心李(lǐ )家栋追查，盘老五又见义勇为，同意承担起一切后果，这样，才把(bǎ )改秀留到了木排上，跟他们一起漂流。

而(🖨)(ér )作为被丈夫（同时代男(🍤)人）与儿子（更年轻的男(🏅)人）同时冷落的母(mǔ )亲（陆筱琳），则只能默默忍受肉体与精(jīng )神的双重饥渴与(🎺)孤独。

赶(gǎn )马车干苦力活的(🤾)叔叔、夜晚捕鱼的不知名(🚛)(míng )男子，寡言的信雄用眼睛(🎦)注视着这些贫民区的人们。