Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　(🌤)The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.。

克雷顿带着爱伦躲到了人迹(😆)罕至的圣水星上，在(zài )得知爱伦怀孕(🐩)之后，两人准备结婚。

这部影片对库(kù )布里克《2001太空漫游》（2001：A Space Odyssey，1969）中对(🔵)失重状态、灼热(rè )的星球和旋转式的太空站模型(xíng )的在现实主(⌚)义描写有着重要影响。

GSB组织派出钢铁(🛵)飞(fēi )龙，查明能源异常原因，却(🤔)意外发现事件与奥特曼(màn )有关系…(🏬)…新旧两代地球守护者的意外相见，却成(chéng )为你死我活的敌对双(🐳)方。

几小时后，他成了一名正(zhèng )在吸食海洛因的摇滚明星。

毒(dú )贩和(💢)他的女同伙在他(tā )们的最后一次任务上反水了他(tā )们的老板，最(📣)后被困在时间循环中。