昭和24年，在东京担任飞机领(💏)航员的寺田辰弥（萩(👲)原健(jiàn )一(yī ) 饰）突然得知自己竟是冈山(🎠)县八墓村大家族多治见家的(de )孩子，时当主多治见久(🚒)弥（山崎努 饰）病入膏肓，辰弥作为遗(yí )产继承人被召回八墓村。

万万没想到，格雷斯抽到了(🎵)最(zuì )糟糕的那张牌—(🤮)—捉迷藏，格雷斯必须在天亮之前找(zhǎo )到(🔄)(dào )一个可以躲藏的地方，不能够被任何的人发现，否(🈂)则(zé )就(jiù )只有死路一条。

最终实验终于获(😞)得成功，重新复活的罗(luó )美娜站了起来，而她也瞅准(👵)时机跑出了实验室……。

卡奥和基(jī )亚在绑票得手后逃跑时，又意外打死了一名警察和两名(🛅)(míng )路人，事情开始闹得(🧑)越来越大……。

这一天，他收到(dào )曾(céng )经的(🌒)雇员寄来拜托他照看的物品。

这一天，他收到曾(céng )经(🤽)(jīng )的雇员寄来拜托他照看的物品。

故事聚(🌁)焦一位叫丽贝卡的年轻女子，尽管离家多年，她仍然(⏸)存有童年阴ddd。

在一次清(🛀)理(lǐ )血案现场的工作后，他遇到了被害人的妻子（伊娃•门(mén )德斯 Eva Mendes 饰(😤)），赫然发现过去同事(🔱)（艾德•哈里斯 Ed Harris 饰）在(zài )办(bàn )案中存在(🐉)漏洞，而自己却间接成了帮凶。

Ben Collins和Luke Piotrowski编剧，大(dà )卫(wèi )·S·(🎃)高耶(《蝙蝠侠：黑暗骑士三部曲》《刀锋战士》)提供故事并参与制片，这个导演、编剧、制片组合(🚬)也就是今年圣(shèng )丹斯(🈁)电影节的热门恐怖片《鬼屋》的班底。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。