In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment。

为完成(🌤)富豪再见初恋的愿(💒)(yuàn )望，宫平和王大业开着80岁的老汽车(♏)，便开启(qǐ )了一场逗(😮)趣横生的公路之旅。

还有他们共同(tóng )的好友山姆（史蒂(🕣)夫·茨恩 Steve Zahn 饰），身为同性恋者的他必须绞尽脑(nǎo )汁来隐(📧)藏自己的身份。

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衣冠楚楚、左右逢源的(👜)林卓生（孙兴 饰(shì(🏏) )）是娱乐圈小有名气的男星，虽然近些年人(rén )气直线下(💩)滑，甚至一度成为票房毒药，但是(shì )他还勉为其难顶着喜(🌿)剧之王的桂冠苦苦支撑。

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\r办喜事要花费不少钱，但建工厂也(yě )需要资金，这(🙀)使两个年轻人很为难。

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