居民、警察和媒体都纷纷卷入这场纷争中(🎌)，终于(🥊)，山下(🛰)夫(fū(👊) )妇和(⛄)真城(📏)贵史决定向大众道(dào )出事实真相与他们的目的。

喜剧天才比利·艾希纳、杰(jié )出的卖座电影导演尼古拉斯(sī )·斯托勒以及金牌喜剧导演(yǎn )制片贾德·阿帕图共同打造《哥儿们》一片，这是一部在这个疯狂世界关于性、爱情及浪漫情怀，极具巧思、心醉神迷和暖心动人的(🗜)喜剧(🔀)片。

这(👽)(zhè )里(🔬)充斥(🚥)着一(👶)群可疑的街坊邻(lín )居！　　有一天一个邋里邋(lā )遢，爱管闲事的‘泰成’出(chū )现在他们面前，和平的日常(cháng )被打破…。

马丁一边找寻30年(nián )前的布朗博士，好让自己回到未来；一边尽力撮合乔治和洛莲，以免自己在以后消失了。

如今，神秘公司已经解决了数百起谜案、进行了无(🥜)数次(🎮)(cì )冒(😪)险，但(🥥)史酷(👰)比和(🛋)他的同伴(bàn )们发现，他们正面临有史以(yǐ )来最惊险、最具挑战性的神(shén )秘案件：一个将“幽灵狗”塞伯勒斯释放回世上的阴谋(móu )。

原本他们经营着一家三代(dài )祖传的中药材店，但经历了爱子在事故中意外去世的悲痛打击后，他们卖掉了店铺。

虽然身为父子，但康斯坦丁和(🧚)伊(yī(🏹) )沃尼(🕳)塔的(💯)个性(📈)截然(🍬)不同(😈)，前(qián )者热情又乐观，总是充满了(le )干劲，而后者沉默又内向，脑海里无时不刻都在思考着(zhe )人生。

夏洛特当然明白米琪(qí )的狼子野心，于是对她处处(chù )提防，而因为米琪的介入，她和弗兰茨之间的感情也渐渐出现了裂痕。

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment。