Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　(😤)　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.。

此前不久，上校受命率部(bù )队(🤕)前往阿富汗，协助当地的圣(shèng )战勇士反抗(🌇)苏联人的入侵。

来(lái )到杂物科的李国强遇见(🌘)了黄警(jǐng )督（郑伊健 饰），这个微胖又(yò(🔠)u )酗酒的中年人告诉他，和别的(de )部门不同，杂物(😊)科专门处理那些所谓的“灵异事件”，但若想在这里生存下去，就必须坚定一个信念，那就(🔽)是第一诫：“这个世上没(méi )有鬼！”可是这个世(🌼)上却真的(de )是有鬼的，连月来发生的数起(qǐ(🔬) )诡异的自杀案件引起了李国强(qiáng )的注意。

当(🚑)所有的阴谋真相大(dà )白之后，柳白猿与匡(🈶)一民两位(wèi )武林高手上演生死对决，最终柳(🏀)白猿成为武林的一代传奇。

因为缺少关键证据，王豹被无罪释放，龚正面临停职调查的(❇)窘境，愤怒之(zhī )下，龚正选择了辞职。

于是在(zà(🤨)i )抗日大局和民族大义面前，组(zǔ )织决定由(♎)左英杰挑选一支精英(yīng )小队，穿越火线，将(🦉)秦(🌘)维洲(zhōu )护(hù )送至安全地带。

特战分队抵达(🥉)(dá )山村，准备引导无人机对恐怖分子隐匿建(⛪)筑进行精确打击。

然而她刚踏入这个城市就遭到了抢劫，失业海员赞斯（尚格·云顿(🥐)饰）见(jiàn )义勇为帮她打走了匪徒。

之后(hòu )，阿(😻)男惨遭巡警强暴，黄克强(qiáng )终于得到了阿(👐)男父亲的认可，而叶剑飞则成为了“日军太保(🦈)(bǎo )”，至此，三人依然没有忘记当初的约定，他们登上了难民船，开始了他们最后的旅行。