现在她的弟弟马丁正在经历着(zhe )与她过去相同的恐怖事件。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。

维克多惊异万分，慢慢得知原来这个(gè )女子死于一个新婚之夜，她(tā )一直(📹)在(❣)这(🦗)里等她丈夫的到来。

第一集中，少女克莉斯蒂（Ashley Laurence 饰）的家庭遭受魔(mó )鬼赛诺贝斯的摧残，亲人相(xiàng )继死亡，她本人也被送入精神病院治疗。

为了保护(♒)无(🔭)辜(🔸)的生命，彼得和玛丽(lì )共同前往地狱之门的所在地(dì )……。

Edwin and Netta with their two children, Adam and Sekar going to Netta's hometown at Temanggung. Netta were suspected as the cause of Lampor terror at her hometown, a demon who bring a flying casket.。

然而，保罗在一场事故中死于非命，索(suǒ )菲因此陷入了悲伤和绝望之(zhī )中，与此同时，马(🥕)丁(🔗)发(👇)现，妈妈常常会对着黑暗窃窃私语，似乎那里隐藏着(zhe )一位“不速之客”。

阿尼•科宁汉姆（Keith Gordon 饰）是某所高中内极不起眼的学生，他沉默寡言、木讷内向(🍁)。

作(🕜)(zuò(🥌) )为医生而拥有显赫身家和地(dì )位的（手冢通 饰），与妻子志津子（富樫真 饰）和儿子健一（大西利空 饰）过着无忧无虑、令人欣羡的生活(🍧)。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　(🍙)　(⏩)Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　(❓)　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。