他感到非常沮丧，于是蜗居家中数月不出，而那位年轻人则依然每天进出山下(xià )的(🥂)家中。

结伴在上海打工(⛅)并自由恋爱结婚(hūn )的(🕘)农村青年铁生和红妹，虽然赚了不少(shǎo )钱，并且也有了“蓝印户口”，可是为(wéi )了(le )家乡的经济发展，使(🕠)乡亲们走上富裕的(de )道(⏲)路，决心回村筹办一家(🔧)同上海联(❕)营的水(shuǐ )果加工厂，并且得到了乡政府的大力支持。

不料主人非但不怪，还特邀大家作为(wéi )嘉兵参加纪念“九(⛹)七”香港回归大型联欢(🏔)(huān )晚会。

家住笑笑村的(⬆)村长外甥刘威利（九孔 饰）新近因为投资事宜被村民们骂(mà )的(de )狗血喷头，为了找到失踪的投资商，他带着神游天外(🤢)的小饭馆厨子施大为(📪)（孙兴(xì(🍁)ng ) 饰）来到繁华大都会上海。

除此而外，他的生活可以称得上是无所事事。

同时，黄家人对雁南归大大咧咧的乡(🐏)下作风颇感(gǎn )不适，双(⚓)方硬凑一个屋檐下，惹(✳)起诸多(duō )矛盾。

接着暗集团中人假扮警方，邀洪(hóng )去(qù )助查，途中欲加杀害，幸洪吉人天相，事后洪与才认定警方与暗集(🔟)团勾结，故此(cǐ )洪乃努(🏫)力逃避警(🍙)方王沙展的... 阿洪是澳门一酒店待者，某日在酒店内一水警高官及(jí )一名流太太被谋杀，阿洪目击凶手面目(😛)，更将他擒获，惜洪的老(🎽)阿才，竟误将凶(xiōng )手放(🙅)走，更被他愚弄一番。

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment。