Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.。

乔被(🔒)吐出后(hòu )，他已经置身于另一个遥远的星系。

随着调查的深入(🤔)，约翰(hàn )逐渐发现，凶手竟然和(💡)他一样拥有通灵能力，而和他相比，自己一方显然落入了下风(🍕)，丝毫没有翻身的(de )机会。

幕后制(⏮)作(zuò )　　《阿特拉斯耸耸肩》是(✔)上世纪美国著名(míng )哲学家、小说家安·兰德的代表巨著，这(📑)位俄裔美籍小说家(jiā )推崇理(🧡)性，认为人的最高美德便是理性。

在调查“新星阿兹(zī )海默”研究(🐲)医院背后的阴谋过程中，他也(🌿)逐渐找回了关于自(zì )己身世的记忆。

即使有精密先进的铠甲护身(shēn )，也无法排遣发(fā )自心(🙉)底的焦虑。