当他觉得这事儿终(💈)于搞定了的时候，一位婚姻(🖋)调查员悄悄来到他们身边(💛)……。

嘴强废柴泰迪最擅长的事情就是搞砸一切，他想要给妻子制造生日惊喜，却阴差阳错误入黑帮犯罪现场，被(bèi )当(dāng )成(chéng )了(le )让(ràng )人闻风(💮)丧胆的冷面杀手“多伦多来(🚠)的男人”。

她有一个律师助理(🏑)的工作她不喜欢，对罗斯福(👗)岛的一个单调的公寓，和一(🎬)个霸道的家人从不让她忘(🖐)记了她还是单身。

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment。

这里充斥着一群可疑的街坊邻居！　　有一天一个邋里邋遢，爱管闲事的‘泰成’出现在他(tā )们(men )面(miàn )前(qián )，和(hé )平的日常被打破…。

故(🔥)事发生在奥地利维也纳，丘(🦌)托克（阿道夫·门吉欧 Adolphe Menjou 饰(🏅)）虽然迎娶了年轻美貌的(🚺)妻子米琪（玛丽·普雷沃(🖲)斯特 Marie Prevost 饰），但他的婚姻生活(🐂)却并不幸福，因为米琪是一个水性杨花的女人，结婚没多久就移情别恋了。

八口之家的涡原一家经常团团围坐在红(hóng )色(sè )的(de )圆(yuán )桌(zhuō )前(qián )吃(chī )饭，小琴可不喜欢看起(🈷)来其乐融融的晚宴，也对妈(✡)妈即将生小宝宝的消息无(😍)动于衷。