在(🖋)16世纪以前，当地的图皮人一直都(dōu )是奴隶。

他对柯内莉亚的爱是唯一让他(👅)质(🛥)疑自己讽刺宿命论(lùn )的东西。

Healing romance between a man whose life is tiring because of things he says without meaning them and a woman who's afraid of life because of her closed heart.　　Dong-soo who has tic orders that make him swear without knowing it, visits Ye-ri's rooftop house twice a week to deliver daily necessities that's his job. Ye-ri is always shut in her room after the death of her younger sibling. While communicating with the world only by publishing Internet novels, she is comforted by Dong-soo. Twice in a week. Dong-soo and Ye-ri start talking about the things they have never told anyone before. She talks about her younger sibling who wanted to see an ocean without water and Dong-soo decides to her grant her that wish...will they make it。

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。

重案组队(🕢)长(🐀)裴小海将他带入警局，并怀疑他与(yǔ )近日城市连环杀人案(àn )有关。

年轻菲(➖)佣Evelyn（Crisel Consunji饰）因为现实的原因，成为了一个寄人篱下的工人，放弃了成(chéng )为摄影(👵)师的梦想。

Enter the relentless pressure of a restaurant kitchen as a head chef wrangles his team on the busiest day of the year.。

这个男人M（马库·佩尔托拉MarkkuPeltola饰）是一个失忆的流浪汉，没有(yǒ(🚡)u )名(🤵)字，亦没有过去。

莉兹没想到真的有这(zhè )样的一艘船存在又不忍心告诉儿(📗)子(🌏)所有真相，只好在朋友的(de )帮助下找了一名陌生(shēng )男子（杰拉德•巴特勒(🍱) 饰(😭)）假扮父亲，可爱的法兰基很讨他的喜欢。

渔村一年一(yī )度的谷雨渔民节(🏓)即将(jiāng )举行，但谷雨祭海仪式却只有刘士堺及老张一辈的老人十分上心。