Edwin and Netta with their two children, Adam and Sekar going to Netta's hometown at Temanggung. Netta were suspected as the cause of Lampor terror at her hometown, a demon who bring a flying casket.。

After suffering a stroke, Judith Albright moves into a historic nursing home, where she begins to suspect something supernatural is preying on the residents. In order to escape, she'll need to convince everyone around her that she doesn't actually belong there after all.。

一天(💭)，整容(róng )医生义彦（寺岛进(📼) 饰）找到了美轮，提出让美轮(lún )成为自己的实验品，免费帮美(měi )轮进行整容手术。

你能承受(🐆)这个结局吗？(🌳)　　“ Signal 100” 2020.1.24（星期五）全国路演。

昭和24年，在东京担任飞机领航员的寺田辰弥（萩原健(jiàn )一 饰）(➖)突然得知自己(😳)竟是冈山县八墓村大家族多治见家的孩子，时(shí )当主多治见(jià(😘)n )久弥（山崎(🕤)努 饰）病入膏(🍉)肓，辰弥作为遗产继承(chéng )人被召回八墓村。

JP成为了建筑(zhù )公司的老板，而麦基则误入歧途加(🙀)入了黑帮，从(có(🧐)ng )此生活在枪林弹雨尔虞我诈之中。

孩子们发现在僻静的小屋一个超自然的存在(zài )和两代(🏻)人的秘密被揭示，永远变化着的生命以及(jí )死亡。

瑞贝卡（泰(tài )莉莎·帕尔(ě(💋)r )墨TeresaPalmer饰）早早(🔧)离开了母亲索(🐁)菲（玛丽亚·贝罗MariaBello饰），独自生活，之后索菲和保罗（比利·伯克BillyBurke饰）结婚，瑞贝卡有了一(🐷)位名为马(mǎ )丁(💴)（加布里埃尔·贝特曼GabrielBateman饰）的同母异父的弟弟。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。