镇上养蛛人的上千蜘蛛被污染，变得体积庞大，成批进入废弃的矿井栖息繁殖。

Edwin and Netta with their two children, Adam and Sekar going to Netta's hometown at Temanggung. Netta were suspected as the cause of Lampor terror at her hometown, a demon who bring a flying casket.。

僵(jiāng )尸(🀄)(shī )新娘情真意(🥀)切的说自己就是(🛴)维克多的合法(😾)妻子。

最终，手术大(🚗)获成功，而已经脱胎换骨变得美(🏋)艳不可方物的美轮顺理成章的嫁给了义彦(yàn )。

昭和24年，在东京担任飞机领航员的寺田辰弥（萩原健一 饰）突然得知自己竟是冈山县八墓村大家族多治见家的孩子，时当主多治见久弥（山(shān )崎(qí )努(nǔ ) 饰(🙌)）病入膏肓，辰(⛪)弥作为遗产继承(🧟)人被召回八墓(🎙)村。

他只好停下来(🍐)，在路边餐厅整顿一下准备继续(🧦)上路，发现那辆形如鬼魅的大卡车停(tíng )在(zài )外面，戴维甚至不知道司机是谁。

汽车经理谢利（威廉姆·H·梅西 William H. Macy 饰）有一个完美的兴建停车场的计划，他多次找他的有钱岳父威利借钱(qián )，可(🥩)(kě )是(shì )一毛不拔(🤲)的威利始终没(👕)答应。

随着时间的(🚼)推移，麦克渐渐(💶)爱上了善良的失(🆙)意女子，在一次催眠中，他发现自己的前世竟然就是玛格丽(lì )特(tè )的(de )丈夫罗曼，而玛格丽特正是死于罗曼之手。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。