After escaping abduction, a frantic woman must coerce an exhausted truck driver to hide in the back of her truck for the night. The two women take refuge not knowing what the rest of the night has in store.。

Edwin and Netta with their two children, Adam and Sekar going to Netta's hometown at Temanggung. Netta were suspected as the cause of Lampor terror at her hometown, a demon who bring a flying casket.。

然而，在两个世(🐉)界，两个新娘之间，维(wéi )克多该如何抉择。

当疯狂的医(🧙)生菲利普•切诺德（Kenneth Cranham 饰）从助手口中(zhōng )得知少女(🎸)的经历后，他决定将恶魔重新带回人间。

首屈一指的(🗣)驯鸟(niǎo )师茅山豪在凤凰(huáng )岛遭遇变异物种袭击，并(🏅)不断有人离奇失踪，人心(xīn )惶惶，为了探寻(xú(✳)n )真相，豪(🍾)哥与治安队队长孟前冰释前嫌并通力合作(♍)(zuò )，一步步逼近真(zhēn )相……。

After escaping abduction, a frantic woman must coerce an exhausted truck driver to hide in the back of her truck for the night. The two women take refuge not knowing what the rest of the night has in store.。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。