Giorgio is a greedy adulterer who makes a deal with a serial killer (Michel Antoine) to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.。

途中他遇到了其他的幸存者，为(wéi )了搭救被困的妹妹，巴瑞选择穿(💰)越丧尸(🎁)群集的恐怖地带……。

经过调查，这位隐藏在黑暗之中的神秘人物名为戴(dài )安娜（艾丽西(🔩)娅·维(✒)拉-贝利AliciaVela-Bailey饰），曾是母亲住院其间最好(hǎo )的朋友，之后死于一场医疗事故，如今，戴安娜的亡魂(🤚)(hún )再(zà(🕠)i )度回到(🏨)了索菲的身边，她要这位她最好的朋友永远的和(hé )她在一起，任何企图接近的人都将面临(🚻)死亡的(🌈)威胁。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。

永禄9年（1566），适值日本战国时代，8名落魄武士逃(táo )到某山村，从此解甲归田，过(🗿)起普通(🚲)农夫的生活。

当谢利(lì )回到家时，威利告诉他可以考虑一下他的计划了。

作为(wéi )医(yī )生而拥(🌬)有显赫(👤)身家和地位的（手冢通 饰），与妻子志津(jīn )子（富樫真 饰）和儿子健一（大西利空 饰）过着无(🌘)忧无(wú(😤) )虑(lǜ )、令人欣羡的生活。