由于病毒不断的扩散，致使医院里的死人纷纷爬(pá )起袭击活人，约翰得知消息后不顾(🐎)一切逃(🍧)出警局，但(dàn )他还能赶(gǎn )得及去拯救安娜吗……　　这是一部由意大利与西班(bān )牙影业(😶)联合监(💶)制的七十年代恐怖杰作，被广大恐怖影(yǐng )迷奉为经(jīng )典的作品，也是七十年代最卖座的丧(㊙)尸电影(🖤)，影片拍(pāi )摄的时尚大气，丝毫没有拘束感。

可是随着夜幕降临(lín )，真正的恐怖开始浮现，恶魔对虔诚(🐵)的信仰(🤽)展开了毫无差别的(de )狙杀……。

SUPERCOOL马其顿动作幻想片！　　sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it... so, the best thing i could say about Zbogum na 20 vek is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.510。

当了解到克莉(lì )丝汀的背景之后，丽(➕)和丹尼(📆)斯决定摧毁汽车，拯救阿(ā )尼。

他们(men )搭上了一辆便车，但随后发生的事让他们发现自己被(bè(🌹)i )卷入了(🥩)一场事关生死的猫鼠游戏之中。

虽然对这样的(de )规矩万分不理解，但格雷斯还是决定忍一时(🛸)风平浪(🚒)静。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　(💞)Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。