经过20多年，约翰娜返回到她(🕌)青年时所住(zhù )的前西德边境的村ccc。

《伦(🥚)敦地下城市》一个女记者被派遣到罗(🈲)马(mǎ )尼亚首都布加勒斯特调查(chá )一个地下自杀邪教“死魂灵”。

随着夜(yè )幕降临，死神之手渐渐向(xiàng )这群胆大妄为的年(🦖)轻人逼近……。

海洋生物学家艾布·(🌝)安德森和(hé )宇航员哈罗德·理查兹(🚦)中校自愿参加了一个科学研究项目(🥒)：驾驶(shǐ )飞船前往宇宙尽头。

Americans on vacation in the Caribbean take a tour of a nearby island at night and watch a local voodoo ritual. Soon after, they find themselves stranded on the island and under attack by unseen foes. One by one they meet violent ends.。

由北京(🍟)凤娱网络技术有限公司联合出品打(🎥)(dǎ )造中国和马来西亚共同制(zhì )作的年度最佳“悬疑事件”，背后的真(zhēn )相到底是什么？　　夜深(shēn )人静，一条古老的街(🐂)道，只见一盏鬼火(huǒ )忽远忽近，这座冰(🔃)森阴冷(lěng )的古镇，节目组的到来打破(📦)了原有的宁静，当地姑娘阿娜依的出(🌩)(chū )现让真人秀节目组出现一连串诡(🤜)异又恐怖的事情，节目组偷偷的(de )架好(🖥)机器准备把这一切拍出来，没想到阿(🖍)娜依使用蛊术让节目组(zǔ )的“演员”毁了容，没想(xiǎng )到意外却发生了，节目组的人相(❇)继失踪(zōng )或“死亡”，这个古镇开(kāi )始出(🚖)现可不思议的灵异事件，所有人都开(🚔)始惶恐不安，众人开始(shǐ )怀疑阿娜依(⛺)。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。