这部影片是这一时期苏联科幻电影知名度较高(gāo )的一部，故事由一队到金星探索的苏联航天员(yuán )展开，队伍中有四个男人，一个女孩，还有一(yī )个笨重的机器人（这个机器人很明显是效仿了(le )米高梅影片《禁忌星球》（Forbidden Planet，1956）中的机器人角(jiǎo )色）。

原来，来高把碎片从水中衔出来的时(🕖)候，胎儿(ér )变成的碎片留在了他的胃里。

やがて大げんかに発展、ＡＩを消去することになった時、直(zhí )人は父の真実の姿を知ることになるが…。

机(jī )组成员和乘客来到洛杉矶机场，却发现偌大的(de )机场内空无一人，他们仿佛被世人囚禁于一个(gè )隔离的区域中……。

依据以往防台工作“十防九空(🛠)”的现实，在120万群众的安危和浪费38亿国家财产的(de )面前，以徐市长（巫刚 饰）为主的市委领导坚(jiān )持从人民群众的生命安全出发，宣布全市进入(rù )紧急状态，撤离工作在各种各样的质疑声中紧(jǐn )锣密布的进行。

2019年11月，刀锋跑者霍顿（Morgan Paull 饰）在(zài )泰瑞尔公司对新员工进行沃伊特-坎普夫测试时，被技(jì )师里(🌕)昂·科瓦尔斯基（Brion James 饰）枪击。

孤身一人的(de )达奇决心凭自己的力量面对这股神秘恐怖的力(lì )量……。

在这个新的未来里，佐德将军（迈克(kè )尔·珊农 Michael Shannon 饰）回归，并威胁要毁灭世界。

随着(zhe )调查的深入，约翰逐渐发现，凶手竟然和他一(yī )样拥有通灵能力，而和他相比，自己一方显然落入了(le )下风，丝毫没有翻身(🍉)的机会。

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.。