最(⛄)终实验终(zhōng )于获得成功，重(🤼)新复活的罗美娜站了起来，而她(tā(⛓) )也瞅准时(shí )机跑出了实验室……。

随着时间的推移，麦克渐(jiàn )渐爱上了善良的失意女子，在一次催眠中，他发(fā )现自己的前世竟然就是玛(🌭)格丽特的丈夫罗曼，而(ér )玛格丽特(🍩)正是死于罗曼之手。

SUPERCOOL马其顿动作幻(✖)想片(piàn )！　　sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it... so, the best thing i could say about Zbogum na 20 vek is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.510。

Giorgio is a greedy adulterer who makes a deal with a serial killer (Michel Antoine) to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.。

由于病毒不断的扩散(🍩)(sàn )，致使医院里的死人纷纷(📻)爬起袭击活人，约翰得(dé )知消息后(🏭)(hòu )不顾一切逃出警局，但他还能赶得及去拯救安娜(nà )吗……　　这是一部由意大利与西班牙影业联合(hé )监制的七十年代恐怖杰作，被(🌷)广大恐怖影迷奉为(wéi )经典的作品(😬)，也是七十年代最卖座的丧尸电影(😵)，影片拍摄的时尚大气，丝毫没有(yǒ(🏻)u )拘束感。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。

克里斯（(🕖)杰西·(🥁)麦卡尼 Jesse McCartney 饰）、娜塔莉（奥(✌)莉维娅·达德利 Olivia Dudley 饰）、阿曼达（蒂温·凯利(lì ) Devin Kelley 饰）等来自美国的青年男女正在进行一段快乐有(yǒu )趣的欧洲之旅，当他们抵达乌克兰(👽)时，经当地好(hǎo )友保罗（乔纳森·(🚔)萨多 斯基 Jonathan Sadowski 饰）的介绍，他们和(hé )另(🍁)外两名客人组团，跟随当地向导尤(🎋)里（Dimitri Diatchenko 饰）展开了一段极限旅游。