Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enrí(🤛)quez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.。

神勇的蓝波（西尔维斯特•史泰龙(👒) Sylvester Stallone 饰）又回来了！这次，蓝波奉命返回越南调(💋)查失(shī )踪的美军是否已成为战(zhàn )俘。

李婷(🖊)婷和梁静都有(yǒu )着不堪回首的往事，两(liǎng )人的经历虽然不同，却(què )有个共同点，两人都是(shì )精(🎮)神分裂，只要一想起(👜)往事的情节，就如同疯(❎)了一样，不能自我。

本片除了有惊险刺激的(👰)动作场面，火爆震撼的枪战戏份，惊心动魄(🕎)的街道追车，这些让观众血脉飙升(shēng )的元(👈)素外，同时还展现(xiàn )一线缉毒警的牺牲奉献(xiàn )精神，毒品对社会和家(jiā )庭的危害。

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甘(🏥)震一路逃亡，危急之时幸得一名红衣女侠(🍄)所救，却在与秦桀交战之际失足掉下山崖(🛺)。

罗(luó )伯特·西奥德梅克于五(wǔ )十年代执导的海盗片，至今仍为同类影片中的(de )经典之作，也是伯特．兰卡斯特在年轻时主演的影片，是(🍾)其成名之作。

姚龙经(🌲)训练成为代号“自由人(🔰)”的杀戮机器，为泪七龙铲除了季秋堂势力(🤷)，期间为苦苦寻找他的叶慕美发现，但两人(🧘)无法相认。

当电梯打开，他来到了一个陌生(🏦)的地(dì )方“林间空地”。

导演(yǎn )郭南宏通过惊险，紧张(zhāng )的场面，充分暴露败类(lèi )的野心及狰狞嘴脸，并颂扬两位青年侠士不畏强暴的精神(🍧)，让全片充满慑人心(😝)魄的魅力。