After suffering a stroke, Judith Albright moves into a historic nursing home, where she begins to suspect something supernatural is preying on the residents. In order to escape, she'll need to convince everyone around her that she doesn't actually belong there after all.。

虽然对这样的规矩万(🎮)分不理解(jiě )，但格雷斯还是决定忍一时风平(🍡)浪静。

为了保护无辜的生命(mìng )，彼得和玛丽共(👽)同前往地狱之门的所在地……。

所谓极限旅(🍀)(lǚ )游竟是走入在1986年因核泄漏事故而(🍢)沦为鬼城的(de )切尔诺贝利。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。

但是阿尼(😰)的举止渐渐变得奇怪起来(lái )，他不再关心周(🛰)遭世界，而是将所有注意力都放在这辆名为(🍎)(wéi )“克莉丝汀”的车上。

两人在为了自保而各自(❎)封闭的小城镇(zhèn )之间穿行，沿路消灭吸血鬼(🏐)和居心不良的恶(è )徒，他们从暴徒(tú )手中救(👍)出一位修女，但却因此被基督教兄弟(dì )会捕获，兄弟会(huì )坚信吸血鬼是上帝派来(😆)净化地球的使者，他(tā )们配合吸血鬼发动对(🚝)人类的进攻，马丁和先生因杀死兄弟会(huì )成(🔥)员遭到处死，侥幸逃脱。