终于，不堪重负的桃(🍏)湖(👟)蓝藻爆发，引起了全市几百万人的水危机。

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fä(✍)hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。

莉兹拒绝(jué )了即将逝世的(de )丈(🌋)夫戴维要见儿(ér )子的要求，不(bú )久她便告诉法兰(lán )基，父亲已经逝(🙈)世(📖)了。

在未来(lái )的世界里，两大世仇王朝家族相互觊觎。

这是关于两(🐛)个(❓)沦落香港的最低下层的人的故事。

钟灿（金柱赫 饰）和妻子妍(🚙)红（孙艺珍 饰）结婚多年，膝下有一可爱的女儿，两人男才女貌，在外人眼(yǎn )中是如同神仙(xiān )眷侣一般(😃)的存在(zài )。

そんな折に朝顔のもとへ、同時にひき逃げされたと(🔋)み(💏)られる男女の遺体解剖依頼が舞い込み、この出会いが彼女(🤥)の(🍦)人生に大きな影響を与えていく。

在广阔银河系帝国中，沙丘星(🥩)球仍是一个非常富裕的地方。

朔子与兔吉叔叔及其女儿辰子（杉野希(xī )妃 饰）、孝史(shǐ )熟稔，也见识(🔑)了(le )人们笑脸背后(hòu )的虚伪和酸楚。

奥迪尔寄宿在一所豪华大宅里(🔻)(lǐ(📼) )，她告诉弗朗茨，这所屋子里存放着巨额现金。