中里博士(🛌)は人間を透明にする薬品を密かに完成させるが、秘密をかぎつけた謎(👺)の男が薬を奪い透明(míng )人間になっ(🐌)て、希代の宝石“アムールの涙”を強奪(🍋)しようとする。

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.。

飞行途(✋)中，一名肥胖的乘客神态(tài )异常，在吐了珍妮一身秽物之后，竟发狂地冲向(xià(🧤)ng )驾驶舱要求下飞机。

阿菲（玛莉安(ā(👆)n )歌迪雅美丽声演）父母是科学家，也无端失踪，当老猫达尔文病到七彩，阿菲(👇)偷偷(tōu )研制不死药，却因此逃亡历险(🉑)，牙(yá )尖嘴利的达尔文、主意多多的怪(🤺)爷爷、变节特工(gōng )祖利亚也一起有(🕘)难同当。

數十年來(lái )，老人都對因結核病過世的母親感到遺憾，心理疾病的折(👛)磨讓他產生了病態的需求(qiú )，為了讓(🏡)自己好過，他開始秘密協(xié )助生病的婦(🖇)女進行安樂死。

但是，光环下蜘蛛侠(xiá(👸) )，也有自己的心病：他在第一集时(shí(🍊) )放走了小偷导致最亲爱的叔叔被小偷(🐂)杀死，帕克(kè )一直耿耿于怀。