随后一辆大卡车出现了，挡在戴维前面，他毫不客气地超(chāo )过对方。

孩子们发现在僻静的小(🧜)屋一个超自然的存在和两代(🤺)人的(de )秘密被揭示，永远变化着(🥇)(zhe )的生命以及死亡。

某日，僵尸们(🍄)袭击了(le )营地，人类们失去了最(👨)后(hòu )的庇护。

平淡的生活悄悄(🚥)发生变化，继(jì )而全然失控…(👩)…。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。

海洋生物学家艾布·安德森和宇航员哈罗德·理查兹中校自(zì )愿参加了一个科学研究项目：驾驶飞船前往宇宙尽头。

然而，保(bǎo )罗在一场(🚅)事故中死于非命，索菲因此陷(🥨)入了悲伤和绝望之中，与(yǔ )此(📟)同时，马丁发现，妈妈(mā )常常会(🥟)对着黑暗窃窃私语，似乎那里(🧗)隐(yǐn )藏着一位“不速之客”。

这次(💘)，他重新回到破案的中心，意欲逼近真相，危险也随之而来(lái )……。