Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.。

未来世界，愚蠢的人类文明令地(💀)球环境日趋恶化，温暖甜蜜的家乡变成充满灾难和死亡人间炼狱。

帕克一直在忙于应付各种挑战(zhàn )：学习超能力的灵活运(☝)用；在(zài )超级(😐)英雄(xióng )与平凡大学生的双重身份下隐(🧛)(yǐn )藏自我、小(💨)心翼翼地生活等等。

历史教(jiāo )授约翰奥(😔)德曼（David Lee Smith饰）说(🧛)自己身上有一个让大家都匪夷所思的秘密，而为了保守这个秘密他不能在一个地方超过十年。

一个发现可以把人(rén )变成和苍蝇一样大小的药品的男人，开(kāi )始对给自己安上战(😪)犯的罪的人(ré(📫)n )复仇。

在(zài )调查“新星阿兹海默”研究医(yī(😒) )院背后的阴谋(🦗)过程中，他也逐渐找回了(le )关于自己身世(〽)的记忆。

贝贝生(🈚)来就和常人不一样，因为他的双手竟然带电和能随意操控电器！为了怕发生意外，贝贝的双手总是戴着手(shǒu )套，总是被大人关(🏖)在家里。

而在旅途中(zhōng )，巴金斯也意外得到了日后影(yǐ(👕)ng )响整个中(zhōng )土(🏓)的重要宝物……　　本片根(gēn )据J.R.R·托(🌁)尔金的同名原(🦓)著改编。