为了找到幕后(hòu )黑手，朱丽叶在房间里设置(🐤)了录影(🌅)机，真相让朱丽叶汗毛倒竖，原来，那个神出鬼没的不速之客竟然正是房东麦克斯。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　(🚨)　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.。

一个(🛣)名为“死(📪)肉四人”（在越南阵亡的复活的美国士兵）的弥(mí )尔顿特遣部队被召集起来(lái )，以防止(🐆)世界崩(🥈)溃。

在经历过创伤后，Inés患上了睡眠障碍，并被(bèi )恶梦缠身。

随着学生被迫一次又一次地自杀，人们(🌭)对死亡(🗨)的恐惧(jù )逐渐暴露出人性，并最终发展成可以生存的史诗般的死亡游戏。

故事聚焦一位(📜)叫丽贝(📧)卡的年轻女子，尽管离家多年，她仍然存有(yǒu )童年阴ddd。

Edwin and Netta with their two children, Adam and Sekar going to Netta's hometown at Temanggung. Netta were suspected as the cause of Lampor terror at her hometown, a demon who bring a flying casket.。