内容描(⛽)述一(yī )名地下军火(♟)专家制造了一(🎾)个小型炸弹企图有所不轨，计划被助(zhù )手知悉，以致他杀人灭(🍇)口，但却被三名互不认识的平凡寂(🕣)寞人(rén )目睹此事件。

相反，只有在看色情录像的时候Jon才能感受到“忘我的快感(⛴)”。

在全然陌(mò )生的环(🦔)境里(lǐ )，他们各(🧠)自上演了一连串始料未及的有趣故事……。

フウとスズは、(🆖)ふたりで旅をしている女の子。

难(👻)得空闲的上帝下凡找(zhǎo )个老实巴交的代言人来四处宣传“上帝存在”这一概念，但扭(niǔ )转平民心(🎠)中不解疑惑，还得显灵法庭来为自己辩解所谓的“存在”。

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment。